The literature on music analysis is noticeably large, and there are several studies concerning the music's power over emotions (Juslin and Sloboda, 2001), thinking (Rauscher et al., 1993), or physical effort (Karageorghis and Priest, 2008).
there has been significant research in music and psychology focusing on the idea of a parallel between affective cues in music and speech (Sundberg, 1982;Scherer, 1995).