In contrast, the stylistic content that specifies attributes of the specific font (such as serifs, drop shadow, texture) is represented as finer-grained information that enters into the decoder at a later stage, by parameterizing filters, as shown in the right half of Figure 2.
we form our decoder as follows: first 1 sometimes erroneously referred to as a "deconvolution" the character embedding is projected to a low resolution matrix with a large number of channels.